![]() O'Keeffe stayed in Wisconsin with her aunt attending Madison Central High School until joining her family in Virginia in 1903. ![]() In late 1902, the O'Keeffes moved from Wisconsin to the close-knit neighborhood of Peacock Hill in Williamsburg, Virginia, where O'Keeffe's father started a business making rusticated cast concrete block in anticipation of a demand for the block in the Peninsula building trade, but the demand never materialized. O'Keeffe attended high school at Sacred Heart Academy in Madison, Wisconsin, as a boarder between 19. By age 10, she had decided to become an artist, and with her sisters, Ida and Anita, she received art instruction from local watercolorist Sara Mann. She attended Town Hall School in Sun Prairie. O'Keeffe was the second of seven children. Her maternal grandfather, George Victor Totto, for whom O'Keeffe was named, was a Hungarian count who came to the United States in 1848. Her parents, Francis Calyxtus O'Keeffe and Ida (Totto) O'Keeffe, were dairy farmers. Georgia O'Keeffe was born on November 15, 1887, in a farmhouse in the town of Sun Prairie, Wisconsin. After her death, the Georgia O'Keeffe Museum was established in Santa Fe. 1 sold for $44,405,000, more than three times the previous world auction record for any female artist. In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. After Stieglitz's death, she lived in New Mexico at the Georgia O'Keeffe Home and Studio in Abiquiú until the last years of her life, when she lived in Santa Fe. ![]() O'Keeffe and Stieglitz lived together in New York until 1929, when O'Keeffe began spending part of the year in the Southwest, which served as inspiration for her paintings of New Mexico landscapes and images of animal skulls, such as Cow's Skull: Red, White, and Blue and Ram's Head White Hollyhock and Little Hills. The imputation of the depiction of women's sexuality was also fueled by explicit and sensuous photographs of O'Keeffe that Stieglitz had taken and exhibited. O'Keeffe created many forms of abstract art, including close-ups of flowers, such as the Red Canna paintings, that many found to represent vulvas, though O'Keeffe consistently denied that intention. They developed a professional and personal relationship that led to their marriage in 1924. She moved to New York in 1918 at Stieglitz's request and began working seriously as an artist. Over the next couple of years, she taught and continued her studies at the Teachers College, Columbia University. ![]() Alfred Stieglitz, an art dealer and photographer, held an exhibit of her works in 1917. This caused a major change in the way she felt about and approached art, as seen in the beginning stages of her watercolors from her studies at the University of Virginia and more dramatically in the charcoal drawings that she produced in 1915 that led to total abstraction. She studied art in the summers between 19 and was introduced to the principles and philosophies of Arthur Wesley Dow, who created works of art based upon personal style, design, and interpretation of subjects, rather than trying to copy or represent them. In 1908, unable to fund further education, she worked for two years as a commercial illustrator and then taught in Virginia, Texas, and South Carolina between 19. ![]() In 1905, O'Keeffe began art training at the School of the Art Institute of Chicago and then the Art Students League of New York. O'Keeffe has been called the "Mother of American modernism". She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. Georgia Totto O'Keeffe (Novem– March 6, 1986) was an American modernist artist. ![]()
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